DRAGONETTI BASS CONCERTO PDF
Domenico Carlo Maria Dragonetti (7 April – 16 April ) was an Italian double bass One of his concertos was particularly remarked by the queen of Naples. When in Vicenza for an engagement at the Grand Opera there, he acquired. Dragonetti Concerto for Double Bass and Piano. edited by David Walter. In this high-quality publication, esteemed bassist and pedagogue David Walter offers a . of one of the most popular double bass works Son, Ltd., Liben has been able to produce a totally new edition of this staple of the double bass repertoire.
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At fourteen he was appointed principal double bass player in the Grand Opera Seria at the San Benedetto theatre. Beethoven and he soon met and they were mutually pleased with each other.
In other projects Wikimedia Commons. At the age of twelve, he was placed under the tuition of Berini, the best master for the double bass in Venice, who decided after only eleven lessons that he could not teach the boy anything more. That leave was extended for three more years afterwards, but finally Dragonetti never returned to Venice for more than a brief period during the French occupation of the city, They made a specialty at playing Arcangelo Corelli ‘s sonatas.
He finally joined the institution on 13 September as the last of the five double bass players of the Chapel with a yearly income of 25 ducats. He left Venice on 16 Septemberpartly under the influence of his friend, Giovanni Battista Cimador who composed a concerto for double bassand participated in the first rehearsals at the King’s Theatre, on 20 October and finally appeared as orchestra member in the opera Zenobia in Palmiraby Giovanni Paisielloon 20 December Because of Dragonetti’s unprecedented virtuosity as a soloist, attractive offers of work were made from both London and Moscow.
Domenico Carlo Maria Dragonetti 7 April — 16 April was an Italian double bass virtuoso and composer with a 3 string double bass. He became very famous at the time, started playing solo pieces, which was exceptional at the time for the double bass, and even got elected as of the directors of a musical festival held for the coming of fourteen sovereign princes to the republic of Venice.
Domenico Dragonetti – Wikipedia
He began playing the guitar and the double bass by himself on his father’s instruments. Berenzi, who suggests that the instrument may have been made for the monks of St Peter’s, Vicenza, by Gasparo da Salo, and acquired by the procurators of St Mark’s to entice Dragonetti to remain in their employ.
At the Italian Opera orchestra, he met the cellist Robert Lindleywho became his close friend and with whom he shared the stand during fifty-two years. In his remains were moved to the Roman Catholic cemetery at Wembley.
In the Palmer biography, a footnote refers to a account by C.
Category:Dragonetti, Domenico – IMSLP/Petrucci Music Library: Free Public Domain Sheet Music
From Wikipedia, the free encyclopedia. When he left for London inDragonetti left many papers and manuscripts, including a Complete system of the double bass, or instruction book for that instrumentcontaining many elaborate exercises dragnetti studies, in the care of a friend.
In fifty years, he became a prominent figure in the musical events of the English capital, performing at the concerts of the Philharmonic Society of London as well as in more private events, where he would meet the most influential persons in the country, like the Prince Consort and the Duke of Leinster.
Beethoven played his part, with his eyes immovably fixed upon his companion, and, in the finale, where the arpeggios occur, was so delighted and excited that at the close he sprang up and threw his arms around bss player and instrument”.
He later was offered a place by the Tsar of Russia, which was declined and got him a salary raise in the Chapel. On that first trip to Vienna, Dragonetti also met Beethoven in a famous encounter. Liben Publishers,piano score p.
He took part between andin forty-six concerts held by the Philharmonic Society of London. Unfortunately, they were sold and could not be retrieved by their author when he returned to Venice after some years. Many years afterwards Dragonetti related the following anecdote to Samuel Appleby, Esq. The unlucky contrabassists of orchestras had frequent occasions during the next few years to know that this new revelation of the powers and possibilities of their instrument to Beethoven was not forgotten.
Today, many of his letters, personal papers, compositions, solos and manuscripts are to be found in the British Library. Dragonetti was again in Vienna in and got to meet once more Beethoven, who had just written Wellington’s Victory basw, to celebrate the victory of Wellington over the French armies of King Joseph Bonaparte at the Battle of Vitoria.
He was acquainted with composers Joseph Haydn and Ludwig van Beethovenwhom he visited on several occasions in Viennaand to whom he showed the possibilities of the double bass as a solo instrument. Inhe finally moved to London to play in the orchestra of the Dragonetyi Theatreand settled there for the remainder of his ocncerto. Views Read Edit View history. Dragonetti was not more remarkable for his astounding execution than for the deep, genuine musical feeling which elevated and ennobled it.
Retrieved from ” https: He never did learn to speak English, expressing himself in a mixture of Italian, English, French and Venetian dialect, but was an astute businessman, and in fact, helped his surviving family in Venice financially. The visit was a huge success and generated some of his best known work.
A hand endowed with five fingers so long, big and agile, that all five, including the bent thumb, go up and down the fingerboard each playing a note. Dragonetti came back to Vienna for an extensive stay in He wrote piano accompaniments to some of his concert pieces, and they maintained a lifelong correspondence.
The premiere of this work, as well as of Beethoven’s seventh symphony was performed on 8 December in the University’s Festsaal, with Dragonetti leading the double basses. Dragonetti was known for his formidable strength and stamina. On that second trip he became friends with composer Simon Sechterwho would become the court organist inand professor of composition at the Vienna Conservatorium in When about eighteen, in Trevisohe was invited to join the quartet of the Tommasini, and was noticed by Morosiniprocurator of San Marcowho indulged him in auditioning for the admission in the Chapel of San Marco.
He was an avid collector, and did indeed collect dolls, sometimes taking one along on trips to amuse the children, of whom he was very fond.
They even granted him a leave for a year, with a continuation in his wages, to go to the King’s Theatre in London.
Double Bass Concerto in A major (Nanny, Édouard)
concwrto He is also remembered today for the Dragonetti bowwhich he evolved throughout his life. To this day, the mastering of the Beethoven double bass symphonic parts are considered a basic standard for all orchestral double bass players.
The story that he kept and often traveled with a collection of life-sized cloth mannequins, bringing them to his concerts and having them placed in front row seats of theaters, and even introducing one of these dolls as his wife, is completely unsubstantiated. Fiona Palmer, Domenico Dragonetti in England — pub. At the age of 82, Dragonetti visited Bonn in August to participate in the 3-day music festival held as part of the inauguration of the Beethoven Monument there.
Dragonetti was a lover of the fine arts, and a collector of musical instruments as well as many art-related articles, such as original scores conceeto paintings. Palmer Clarendon Press Oxford seems to offer the most plausible account.